SKU: 21372834001

GLEAN (EN) 2, Winter 2023

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GLEAN (EN) 2, Winter 2023Striking a balance between lightness and seriousness, this Winter Issue offers plenty of in depth reflection as well as a glimpse of what lies around the corner. Guest Editor: Oscar Murillo For each issue, GLEAN invites a Guest Editor to curate a section of the magazine. We interview them and ask them to invite three writers or artists who have influenced their practice (or who otherwise deserve our attention) to take up space in our pages. Oscar

Striking a balance between lightness and seriousness, this Winter Issue offers plenty of in-depth reflection as well as a glimpse of what lies around the corner.

Guest Editor: Oscar Murillo
For each issue, GLEAN invites a Guest Editor to curate a section of the magazine. We interview them and ask them to invite three writers or artists who have influenced their practice (or who otherwise deserve our attention) to take up space in our pages. Oscar Murillo (1986, La Paila, Colombia) lives and works between London, La Paila and (since recently) Brussels. On the occasion of his first solo show at WIELS in Brussels, titled ‘Masses’, which opens in February 2024, we asked him to serve as Guest Editor for our Winter Issue. Murillo asked curator and researcher Renan Laru-an and writer and producer Anna T. Pigott to contribute texts. Artist and writer Rene Matic provided a visual contribution.

Studio Visit: Che Go Eun
Finding an affordable and suitable studio space is perhaps one of the greatest challenges a young artist faces. Not only does there seem to be a shortage of adequate infrastructure in densely populated cities such as Antwerp or Brussels, but the rental prices are also very high. Level Five VZW is an artist cooperative managing several studio spaces in Brussels. Tamara Beheydt visited artist Che Go Eun in her shared studio space at Level Five’s location next to WIELS Contemporary Art Centre.

The Artist’s Library
Each issue, Els Roelandt delves into the personal library of an artist for the Artist’s Library – a column celebrating books and their writers, editors, publishers, designers and readers. For this month’s contribution, she visited Olivia Plender in Stockholm on a dark afternoon in November. The two browsed and discussed Plender’s impressive library, which contains many titles related to plants, feminism and books by and on women who are carrying on the struggle to dismantle patriarchal structures.

Hana Miletic
Having transitioned from a kind of street photography to weaving, Hana Miletic embraces the act of reproduction. Her work with textiles has evolved into an embodied and social practice. Miletic contributed the cover images for this Winter Issue, which are also being printed as a limited GLEAN artist’s edition. María Inés Rodríguez, director of the Walter Leblanc Foundation in Brussels, met up with the artist, who is gearing up for a busy season. Miletic’s work is on view in no fewer than four group shows across Europe and her first solo exhibition in the US will open next spring.

And more
Discover more great content in the Winter Issue, including a conversation between Nairy Baghramian and Hans Urlich Obrist, interviews with Silvia Franseschini and Sorana Munsya and Véronique Clette-Gakuba, and reviews of exhibitions by Tschabalala Self, David Claerbout, Meredith Monk and Dana Schutz. In a personal essay, Michelle Mlati revisits the conceptual underpinnings of the group exhibition she curated, ‘The Forest and Desert School Revisited’, and zooms in on the individual practices of some of the participating artists. And artist duo Denicolai & Provoost briefly introduce the project with which they will represent Belgium at this year’s Venice Biennale. In typical Denicolai & Provoost fashion, they’ve defied the tradition of the individual invitee and will be taking a group of friends and collaborators with them to Venice, assembled under the name Petticoat Government.

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SKU: 21372834001

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Mikaela Laughlin
Boise, US
★★★★★ 5
Love the message the story tells, easy read!
Format: Board book, Format: Board book
This book tells a perfect little story teaching little ones to be thankful. I love how it only tells a story about being thankful and kind, but it also is teaching them numbers through repetition. Each page shows a number and also has the word of the number to read. In such a short read, little ones can learn a lot. Because it’s short and sweet, it keeps their attention and the illustrations are cute and fun for toddlers to follow along with. This makes for a perfect gift for a new little one or a great addition to a current toddler library! In our family, we also love that it’s a board book Because it holds up longer with a family of three little ages 1, 2.5 and 4. Everyone enjoys it and it’s a family favorite!
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Momming Simplified
Bozeman, US
★★★★★ 5
Just the sweetest book ever
Format: Board book, Format: Board book
This is such a great read along for a 2-4 year old. I love the message of being thankful, it includes number counting, animals, and lots of cute graphics that kids love. Such a great read. Also being a board book it’s more sturdy than a standard book and I can let my toddler turn through the pages on his own without the fear of it ripping. Sturdy, attention catching, and a great teaching message makes it a wonderful read for kids.
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Reviewed in the United States on April 4, 2024
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Ashley Santiago
Carnegie, US
★★★★★ 5
Love love love these books
Format: Board book
I have all of these books in every holiday and my daughter loves them. I will continue to buy them if any new ones come out!
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Reviewed in the United States on May 1, 2025
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Mashal
Battle Creek, US
★★★★★ 5
Cutest book!
Format: Board book
Cutest book! Have the ABCs of kindness and wanted to get these for my two year old. He loves reading them and the books are just so cute! Love the illustrations!
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Reviewed in the United States on April 7, 2026
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Amazon Customer
Boise, US
★★★★★ 5
Good lesson on thankfulness
Format: Board book
Read this to my grand-daughter multiple times. I good lesson on being thankful.
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Reviewed in the United States on July 20, 2025

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