SKU: 14468990888

Vloertegel/Wandtegel Douglas Time Cementlook Cinza Graffic Grijs Rect. 30x60

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Description

Vloertegel/Wandtegel Douglas Time Cementlook Cinza Graffic Grijs Rect. 30x60Creer een ultrastrakke, moderne en architectonische basis in je interieur met de Vloertegel & Wandtegel Douglas Time Cementlook Cinza Graffic Grijs Rect. Deze hoogwaardige keramische tegel in het populaire rechthoekige formaat van 30x60 cm combineert de stoere, industrile uitstraling van beton met een verfijnde grafische diepte. Omdat deze tegel gerectificeerd (Rect.) is, zijn de randen na het bakken kaarsrecht geslepen. Hierdoor kun je de tegels met

Creëer een ultrastrakke, moderne en architectonische basis in je interieur met de Vloertegel & Wandtegel Douglas Time Cementlook Cinza Graffic Grijs Rect. Deze hoogwaardige keramische tegel in het populaire rechthoekige formaat van 30x60 cm combineert de stoere, industriële uitstraling van beton met een verfijnde grafische diepte. Omdat deze tegel gerectificeerd (Rect.) is, zijn de randen na het bakken kaarsrecht geslepen. Hierdoor kun je de tegels met een minimale voeg leggen voor een uiterst strak, hygiënisch en optisch doorlopend resultaat op zowel de vloer als de wand.

Belangrijkste kenmerken:

  • Afmetingen: 30 x 60 cm (Een veelzijdig rechthoekig formaat dat een ruimte optisch kan verlengen of verbreden, afhankelijk van de legrichting)

  • Kleur: Cinza Graffic Grijs (Een uitgebalanceerde middengrijze tint met een subtiele grafische tekening voor een levendig en modern karakter)

  • Randafwerking: Gerectificeerd / Rect. (Kaarsrecht geslepen randen voor een strakke installatie met uiterst smalle voeglijnen)

  • Afwerking: Mat (Een stijlvolle, eigentijdse finish die de stoere structuur van cement benadrukt en zeer onderhoudsvriendelijk is)

  • Materiaal: Hoogwaardig keramiek (De authentieke look van beton, maar dan krasbestendig, vlekbestendig en volledig ongevoelig voor vocht)

  • Look: Betonlook / Cementlook (Een minimalistisch en industrieel design met een verfijnde textuur voor een tijdloos resultaat)

  • Toepassing: Vloertegel & Wandtegel (Ideaal als strakke wandtegel in de badkamer of het toilet, en als stoere vloertegel in de keuken of hal)

De Douglas Time Cinza Graffic Grijs Rect. in de maat 30x60 cm is de perfecte keuze voor wie houdt van een modern-minimalistisch interieur met een luxe afwerking. De 'Graffic' nuance in de grijstint zorgt ervoor dat de vloer of wand een natuurlijke dynamiek krijgt, waardoor de tegel nooit saai oogt. Dankzij de gerectificeerde randen creëer je een strakke oppervlakte die nauwelijks onderbroken wordt door voegen, wat bijdraagt aan een zeer moderne en rustige uitstraling. Waar echt beton lastig te onderhouden is en gevoelig kan zijn voor scheuren, geniet je met deze keramische variant van een oppervlak dat jarenlang mooi blijft en uiterst makkelijk schoon te maken is. Combineer deze strakke tegel met warm eikenhout en kranen in matzwart, gunmetal of geborsteld rvs voor een karaktervol, modern en high-end eindresultaat.

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SKU: 14468990888

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G. Hodnett
Lake Worth, US
★★★★★ 3
Your milage will vary
Format: Paperback
Some great ideas in this story but it didn't really work for me. But I know others have loved it..
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Reviewed in the United States on November 14, 2025
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Joanne Hale
Birmingham, US
★★★★★ 2
The hype it did not live up to
Format: Paperback
I guess I expected more. I found it kind of boring and un inspiring. I enjoyed the food twist and even the characters, but it was very underwhelming. and I'm sorry about this review, because I really really wanted to love it.
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Reviewed in the United States on March 30, 2025
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John J. Shea
Birmingham, US
★★★★★ 5
A thoroughly-researched, thoughtful, and nuanced work about the 1692 Salem withcraft panic.
Format: Paperback
This graphic novel recounts the 1692 Salem (Massachusetts) witchcraft panic that engulfed Salem, Salem Village (now Danvers), and adjacent communities. About two dozen men and women were convicted and hanged, one was pressed to death (tortured) to try to force him to acknowledge the Court’s authority. That man was Giles Corey, aged 80. The book focuses on him, but it covers others among the accused and executed as well as on the judges, politicians, and other involved. (No so much on the accusers and their motives.). The narrative plays out chronologically with interstitial vignettes in which 19th Century literary figures Nathaniel Hawthorne and Henry Wadsworth Longfellow wander around Salem during the 1800s discussing the trials and their legacy. (Hawthorne lived in Salem for a time and was a descendant or the Court of Oyer and Terminer Judge Hathorne.). The work concludes with a chapter, More Wonders of the Invisible World, that follows how Salem developed economically up to the present day in which witchcraft-related Halloween tourism turns Salem town into arguably the least attractive “tourist attraction” on Cape Ann. (Do not skip this chapter, it is engrossing.) An extensive series of endnotes provide scholarly references and background information. The artwork veers back and forth between caricatures (the 17th century events) and realism (19th century and onwards). In both cases the line art is exquisite. The text includes quotes from transcripts of the trials and other contemporary documents as well as fictional dialog. Wickey worked on this book for more than a decade, and it shows in his thorough scholarship. This is, in all seriousness, Pulitzer/Eisner-level work. Wickey was born in Beverly and resides on Cape Ann. Most of us born and raised on the “North Shore” learn about the Salem witchcraft panic in high school -often as a cautionary tale about politics, spectral evidence, and what we would today call “lawfare.” I thought I knew a fair amount about the 1692 panic, but I learned something new with nearly every other page. I was especially glad to see Wickey cover now-debunked ergot-poisoning theory and that he dismissed the vile slander that some among the convicted and executed were actually witches. There’s nothing really “missing” from the book, though one wishes one could learn more about the fates of the accusers other than Ann Putnam. That their motives appear to have been “sport” is bone-chilling fully three centuries later. Read her "apology" years later and try not to think, "psychopath." At 500 plus pages, it's too long to read at one setting, but it is a pleasure to read at shorter intervals.
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Reviewed in the United States on December 26, 2025
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Salvatore P. Vasta
Massapequa, US
★★★★★ 5
Masterpiece
Format: Kindle
It has been said that any work of literature should be gauged upon how much the work makes the reader think. Ben Wickey has certainly achieved this - in spades - as one of the “civilised” world’s most frightening episodes is revisited with respect and thoughtfulness on the human condition.
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Reviewed in the United States on January 12, 2026
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Jessica Richart
Port Orchard, US
★★★★★ 5
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Format: Paperback
I bought this book for my husband as a Christmas present and he enjoyed the book!
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Reviewed in the United States on February 17, 2026

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