SKU: 33084652355

The Complete Reprise Studio Albums Vinyl Boxed Set - Volume 1 (12LP)

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The Complete Reprise Studio Albums Vinyl Boxed Set - Volume 1 (12LP)Eric Clapton, one of musics most influential and successful recording artists, joined Reprise Records in 1983, launching a prolific period that spans 30 years and encompasses some of his most celebrated work. An upcoming limited edition, 12 LP boxed set revisits Claptons first six albums for Reprise along with an LP exclusive to this collection that features rarities from the era, including a previously unreleased remix of Pilgrim by co writer and

Eric Clapton, one of music’s most influential and successful recording artists, joined Reprise Records in 1983, launching a prolific period that spans 30 years and encompasses some of his most celebrated work. An upcoming limited edition, 12-LP boxed set revisits Clapton’s first six albums for Reprise along with an LP exclusive to this collection that features rarities from the era, including a previously unreleased remix of “Pilgrim” by co-writer and long-time Clapton producer Simon Climie.

 

THE COMPLETE REPRISE STUDIO ALBUMS – VOLUME I will be available on September 30. It contains newly remastered versions of six studio albums pressed on 180-gram vinyl: Money and Cigarettes (1983) as a single LP, and Behind the Sun (1985), August (1986), Journeyman (1989), From the Cradle (1994), and Pilgrim (1998) as double-LPs. Behind The Sun and August were originally released as single LPs; both are now 3-sided double albums to avoid long LP sides and to maximize the audio quality.

 The final LP in the collection, Rarities (1983-1998) brings together eight rare recordings from this era, including live versions of “White Room” and “Crossroads” that were both featured on the B-side on the 1987 single “Behind The Mask.” Another B-side, “Theme From A Movie That Never Happened” (Orchestral), appeared in 1998 on the Grammy-winning single, “My Father’s Eyes.”

All the music included in this collection was mastered by Bob Ludwig at Gateway Mastering and the lacquers for the LPs were cut by Chris Bellman at Bernie Grundman Mastering.

VOLUME I spans 15 years and touches on some of Clapton’s biggest studio albums. It begins with Money and Cigarettes, the guitarist’s eighth solo studio album, which he co-produced with Atlantic Records’ legend Tom Dowd. Released in 1983, it reached the Top 20 in the U.S. and the U.K. and introduced the hit single “I’ve Got A Rock ’n’ Roll Heart.”

 Clapton worked with Phil Collins to produce his next album, Behind the Sun, which peaked at #8 in the U.K. The album would earn platinum-certification in the U.S. thanks to hits like “Forever Man” and “She’s Waiting.” Collins returned to co-produce the next album, August, as well. Certified gold in the U.S., it featured a trio of Top 10 singles – “Miss You,” “Tearing Us Apart,” (a duet with Tina Turner) and the #1 smash, “It’s In The Way That You Use It.” Clapton co-wrote the latter with Robbie Robertson and co-produced the track with Dowd. The song was also featured in The Color of Money, the 1986 blockbuster film starring Paul Newman and Tom Cruise.

 Journeyman, Clapton’s 1989 follow-up, reached #2 in the U.K. where it was certified platinum. An international sensation, the record was certified platinum in Canada and gold in Argentina, Australia, France, Japan, Netherlands, New Zealand, Spain, Sweden, and Switzerland. The album was certified double platinum in the U.S., scoring #1 hits on the Mainstream Rock charts with “Pretending” and the GrammyÒ winning single “Bad Love.” The album had two more Top 10 hits in America with “Before You Accuse Me” (#9) and “No Alibis” (#4).

 Following the runaway success of his 1992 live album Unplugged, Clapton returned in 1994 with From The Cradle. A blues covers album, it featured his versions of songs recorded by some of the bluesmen who influenced him, including Robert Johnson, Howlin’ Wolf, Muddy Waters, Freddie King and more. The album was certified triple-platinum in the U.S., where it topped the Billboard 200. It also reached #1 in the U.K., making it his only #1 album in the U.K. to date. In addition, From The Cradle won the Grammy Award for Best Traditional Blues Album. 

The final release on VOLUME I is Pilgrim, Clapton’s 1998 Grammy Award winning 13th solo studio album. It reached the Top 10 in more than 20 countries, including the U.S. (#4) and the U.K. (#3). A passion project for Clapton, the album was certified platinum in America thanks to hit singles like, “My Father’s Eyes,” “Circus,” “Born In Time” (penned by Bob Dylan) and the title track.

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This book is part historical fiction and part sci-fi. I bought because we like getting the Newberry award winner every year. We loved this story. It was fun read a book placed when I was kid and see/show my kids how much the world has changed, but it also had a fun time travel element. This coming of age follows a kid and his worries about Y2k. He deals with the death of a friend and worries about everything. We loved this story and it's special sections back i to the future making it easy to believe that time travel is real.
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Time travel books are fun. You have to wrap your head around how they work out in the end. This time travel book sort of sneaks up on you, in that other things are going on while Ridge, the time traveler, is checking out 1999. For those who were alive in 1999, we all worried about Y2K, when all the computers would stop working. Scientists worked hard to make sure that it wouldn’t, and at the time, only one bank had trouble after the new year began. Other than that, we were all fine, and life went on. Micheal, is obsessed with Y2K, and when he learns that Ridge is from the future, it is all he wants to know about, and Ridge can’t tell him, as the event is too close. He can tell him how he got his name, and a little about how life is like in the future, but that is about it. But Ridge is the first time traveler, and he has no idea if anything he says will change things, so he has to be very careful. He has no idea what he will find when she returns home, and so worries about everything he says. I really enjoyed this book. I marked several passages that spoke to me. And even the title is such a good thing to bring up and explain, in that it means living in the present time. Not worrying about the future or the past.
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